Peking Opera has been an artform only since around 1790. It's an acquired taste (as is, frankly, western opera, noh and kabuki) and the show we saw was very much a Greatest Hits package of four heavily abridged favourites. So we had a 20-minute version of The Death of Yu Ji, made famous by its inclusion in the film, Farewell My Concubine. The two lead male & female characters are played by men - one very male (a big, macho, long-bearded warrior), one very female (a dainty, high-pitched concubine). It's all hyper-stylised and I wonder, honestly, whether I could last the full version.
Best of the four was The Crossroads, a confrontation between two men in the pitch-black darkness of an inn, with no spoken word and only minimal music. Classic mime in fact: funny, inventive & beautifully balletic. The children loved it. A bit touristy perhaps (the audience was completely Western) but it was as good an introduction as you could get without watching a DVD - which they had in the souvenir shop on the way out.
No comments:
Post a Comment